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The Man with the Golden Gun From Russia with Love Edit Cast Cast overview, first billed only: Vesper Lynd David Niven Sir James Bond Orson Welles Le Chiffre Joanna Pettet Mata Bond Daliah Lavi The Detainer Woody Allen Le Grand John Huston McTarry M Kurt Kasznar George Raft Jean-Paul Belmondo Edit Details Official Sites: Black and White archive footage: Keystone Cops Color Technicolor.

Edit Did You Know? Trivia Carol White was offered the role of Mata Bond. Noah is explaining how his atom-bomb pill works, a gun disappears in the time it takes him to open the cupboard.

Haven't you read the papers today? I don't normally get them quite so early. I get them before they're printed.

Well, I suppose you can do anything if you have money. Crazy Credits The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy.

It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. Alternate Versions In the featurette "Psychedelic Cinema" on the DVD and possibly made for TV , Val Guest mentions that because Peter Sellers was "unavailable" for the ending cloud scene, the producers made a giant cutout picture of him and put it in the back; later prints replaced this with recycled video footage of Sellers, altered to have the same look as the rest of the scene.

Connections Featured in My Weekly Bond: Frequently Asked Questions Q: Was this review helpful to you? Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.

The racy plot elements opened up by this change of background include a chase scene through Hamburg 's red light district that results in Bond escaping whilst disguised as a female mud wrestler.

New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.

The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.

Virtually nothing from Hecht's scripts was ever filmed. He died from a heart attack in April , two days before he was due to present it to Feldman.

Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.

This key plot device in the finished film, in the case of Hecht's version, occurs after the demise of the original James Bond an event which happened prior to the beginning of his story which, as Hecht's M puts it "not only perpetuates his memory, but confuses the opposition.

Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street. Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film.

The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.

Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.

His extra credit was labelled "Additional Sequences" instead. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.

Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.

Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.

Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers' behavior on the set. Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type Monster for the closing scenes.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.

Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director".

Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film. Whether Sellers was fired or simply walked off is unclear.

Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.

The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.

In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes.

In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography". Signs of missing footage from the Sellers segments are evident at various points.

Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together.

In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

For the music, Feldman decided to bring Burt Bacharach , who had done the score for his previous production What's New Pussycat?

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.

It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.

As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.

The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.

The film soundtrack has since been released by other companies in different configurations including complete score releases.

The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.

However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.

When the film was finally completed it had doubled its original budget. The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.

No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere.

Writing in , Danny Peary noted, "It's hard to believe that in we actually waited in anticipation for this so-called James Bond spoof.

It was a disappointment then; it's a curio today, but just as hard to get through. In fact, I recommend you see it on television when it's in a two-hour including commercials slot.

Then you won't expect it to make any sense. A few recent reviewers have been more impressed by the film.

Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow" plot made it "a satire to the highest degree".

Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece". Connery and Brosnan felt right for the style of Bond movies they were in.

Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well.

He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt.

Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing.

Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility.

When there isn't a huge action sequence happening, you don't miss it: The only minor gripes that I have are a slightly too long running time: However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion.

I squirmed in my seat with delight as I have not done since I was a child. For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset.

Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy.

However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of.

James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together.

Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point.

Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby.

He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond. A masterpiece of popular film-making and the movie we have been waiting for all year.

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